Around the Shelf

Collective reading as practice

Although we perceive reading as primarily a solitary activity, for most people throughout history communal reading, that is to say reading aloud with others, has been the norm. Books have had audiences rather than readers. For example, Eric García-Mayer describes oratorial reading among Cuban literary exiles in the United States in the nineteenth century and Elizabeth McHenry investigates African-American reading societies in the twentieth century.[1] The labour of reading could be shared, acting as a catalyst for creating communities; it can even be the remedy in times of hardship, or it can shape new alliances amongst a newly-formed group of readers/listeners. 

The programme Around the Shelf is a series of monthly gatherings, bringing together various practitioners across disciplines as facilitators for collective reading processes. Through these gatherings, we will be imagining what reading together can manifest. Reading groups have been historically one of the many tools that various feminist groups utilized as a way to create an empowering and safe environment for their communities. Echoing the feminist practice of giving voice to the voiceless,[2] this series of monthly gatherings invites guests from activism, literature, and visual arts, intending to create empowering and safer spaces for feminist and queer discourse.

Slowing down fast

The methodologies that will be employed aspire to establish a slower temporality of reading, inspired by the notion of Slow down fast, A toda raja[3] as articulated by Camila Marabio and Cecilia Vicuña. In their conversation, Marabio and Vicuña propose to slow down at full speed,[4] feeling a collective pulse as an antidote to the contemporary condition in Chile based on neoliberal monetary and currency policies and colonial oppression. Slowing down processes of reading defines the spirit of Around the Shelf, to develop slow, collective reading methodologies. The gatherings will not require prior preparation, as the group will be reading out loud excerpts from poems, essays, film scripts, artist books, amongst others, and stopping at every sentence or paragraph to reflect and brainstorm together.

When reading with others, we are becoming one whole collective reading body. As Marabio & Vicuña put it, “you are losing your Self and subtracting your-self from the continuity of an existent structure …the thinnest existence of a possible assurance of an “I” gets lost.”[5] It is this entry into a collective consciousness that this series aspires to explore, inviting us to become collective readers and listeners.

To listen with all our senses

Reading in institutions and academia comes with some sort of silence. Library spaces dictate a sonic order, amongst other things, and thus a specific way of approaching texts. How can we bring printed words to life by activating our senses? When reading this out loud, we become listeners of our voice or the voices of others; our ears slowly get used to different accents, timbres, and vocal tones. We can think of listening as a sonic correspondence of reaching out voices which are reflected to our ears; echoes of different subjectivities that move through space by means of sound. Considering the limitations of academia and institutions in relation to active listening and shared living experiences, this programme brings together sound practitioners and performers as facilitators for reading-listening sessions.

Take VIII with Elena Biserna, Friday 14th June, 20:00

Feminist Steps, Night walk for women, non-binary, and queer people

Starting from text scores and protocols by Pauline Oliveros, the Blank Noise collective, and Elena Biserna herself, this collective walk aims to reflect together on gendered (listening) experiences in public space. We will unlearn behaviors assumed as appropriate, safe, or expected when we walk, question the asymmetries in spatial power relations, and imagine practices of care, solidarity, re-appropriation, or overturning that might feed other spatial configurations and practices.

Scores entertain a paradoxical relationship with time, being both a written object and a performance realization. In music, they are compositional tools, while in dance, they can be traces or archives of past performances ready to be re-enacted. The scores activated during Feminist Steps – The Resounding Flâneuse and The Resounding Flâneuse, Ηχώ – Ανάμνηση – contain traces of Elena’s past experiences in public space and invite us to write together possible futures.

Materials needed: Paper, pens, and photocopies of four scores (provided).

*This session is for women, non-binary, and queer people and has a maximum capacity of 20 people on a first-come-first-served basis.

Take VII with Danae Stefanou, Saturday 18th May, 19:00

For the seventh session of Around the Shelf, titled “Obscured in Plain Sight”, Danae Stefanou will share fragments from personal diaries, field notes, lo-fi audio recordings, text scores and in-progress a/r/tographic & autoethnographic research, dealing with intersecting narratives of personal, historical and epistemic trauma and exploring listening as a provisional space for (counter-)reading and embodied meaning production.

Take VI with Noor Abed and Hypatia Vourloumis, Thursday 11th April, 20:00

Noor Abed and Hypatia Vourloumis will share an exchange of letters they are currently writing to each other on Palestine, touching on themes such as urgency amidst genocide, the importance of collective action, and the rejection of helplessness. Fueled by the need for collective energy and spaces for reflection and action, their letters reflect their shared beliefs and the urgency to address what’s happening. A listening session of Palestinian folk songs, from the archive, will bring the event to a close.

Take V with Mayra A. Rodríguez Castro, Thursday 28th March 2024, 20:30

Mayra A. Rodríguez Castro will share excerpts from her captivating collection of writings, Chrysalides. These pieces, composed between continents, evoke powerful imagery that transcends geographical boundaries. In the chrysalis, the animal’s eyes and wings are transmuted, inviting readers into a world of transformation and introspection.

Take IV with Yorgia Karidi, Thursday 8th February 2024, 20:30

A Hora Da Estrella – A musical reading
Yorgia Karidi will perform a reading & musical adaptation of Clarice Lispector’s novel ‘The Hour of the Star’ in Greek, English and Portuguese. Karidi has transcribed the work A Hora Da Estrella: fragments of text and music will be performed as a verbal score. The score is informed by the homonym film directed by Suzana Amaral with the main character of Macabéa played by Marcélia Cartaxo. This lead female part embodies a methodless emancipation without limit in which the heroine is thrown to a final fall in slow motion. Karidi bases her performing angle on Cartaxo’s unsung presence in the 1985 emblematic film and sings a song about the vain and blithe element of existence and how life can be a bitter smile.

Duration 40′

References:

Κλαρίσε Λισπέκτορ, Η ώρα του αστεριού, transl. M. Hatziprokopiou, Antipodes Publications, Athens 2016

Clarice Lispector, A hora da estrella, Rocco, Rio de Janeiro 1998

Clarice Lispector, The Hour of the Star, transl. B. Moser, New Directions, New York 2011

Take III with Federica Bueti and Urok Shirhan, Thursday 11th January 2024, 20:00

In the upcoming session, we will navigate together the following questions: How do we “listen” and bear witness to loss, to what remains invisible, absent and erased? How do we bear witness to the brutal, bloodless slow violence that defines contemporary forms of life? How do we both make slow violence visible and apprehensible, yet also challenge the privileging of “sight” over other senses? And who bears the social authority of witnessing, which, as Rob Nixon observes in Slow Violence and the Environmentalism of the Poor (2012) entails much more than simply seeing or not seeing?

In this session, taking their respective practices and research interests as a point of departure, Federica Bueti and Urok Shirhan invite us to an evening of reflections and conversations on art making and writing as acts of witnessing loss and slow violence. Together, we will look at some examples and vocalise different experiences of listening and bearing witness to absences, gaps, breaks and that which resists archiving. 

References:

Audre Lorde, “The Uses of Anger” (1981) in Women’s Studies Quarterly, Vol. 25, No. 1/2 (Spring – Summer, 1997), pp. 278-285

Rob Nixon, Slow Violence and the Environmentalism of the Poor, Cambridge, Mass: Harvard University Press, 2013

Tina M. Campt, Listening to Images, Durham and London: Duke University Press, 2017

Urok Shirhan, On the Slow Violence of Images, https://holesinsmoke.hotglue.me/slowviolenceofimages

Take II with Vassilia Kaga, Friday 8th December 2023, 20:00

In our upcoming reading-writing workshop with Vassilia Kaga, we will immerse ourselves in the powerful writings of David Wojnarowicz, an artist who seamlessly blended rage and tenderness through his work. Wojnarowicz’s ability to harness and express raw emotion creates an environment where rage is not only allowed but also channeled constructively. Our exploration will delve into the symbiotic relationship between writing and reading, as we ponder the question: can writing be a cathartic act of releasing and articulating one’s innermost rage? Through the collective experience of reading aloud, we will experiment with the idea of rage as a methodology, using language as a tool to navigate and make sense of intense emotions. As a group, we will engage in both reading and writing, discovering how these twin practices can amplify and enrich our understanding of the profound connection between language and emotion.

Excerpts from the following texts will be read:

David Wojnarowicz, Weight of the Earth: The Tape Journals of David Wojnarowicz, ed. Lisa Darms and David O’Neill, United States: MIT Press, 2018

David Wojnarowicz, Close to the Knives: A Memoir of Disintegration, United Kingdom: Serpent’s Tail, 1992

Take I with Deniz Kirkali, Thursday 9th November 2023, 20:00

This session, led by independent curator Deniz Kirkali, will initiate a series of collective readings, focusing on attentivity as a methodology for learning from and with others. Directing the attention to the body, this gathering will use material feminisms and posthuman studies as a grounding base for collective explorations on the “arts of noticing”, as articulated by anthropologist Anna Tsing. Deniz will introduce us to practices of attuning through examples from her curatorial work, speculating how we can live, work, feel, and experience differently. The group will also develop a slow reading methodology to delve into excerpts from Bayo Akomolafe’s writings, which call us to attune to the “wisdom of soil”. Drawing inspiration from alternative narratives, how can we challenge our entanglements with the all-living world, and challenge epistemological power?

[1] Eric García-Mayer, “Narrating Nation Aloud: Oratory, Embodied Reading Practices, and the Cuban Imaginary in Villaverde and Mariño’s El Independiente, “Folklife in Louisiana: Louisiana’s Living Traditions”, 2013, http://www.louisianafolklife.org/LT/Articles_Essays/lfmnarrating.html, accessed 15 October 2023; Elisabeth McHenry, Forgotten Readers Recovering the Lost History of African American Literary Societies, Durham, NC: Duke University Press, 2002.

[2] Samia Malik in “Reading as Activism: the WOCI Reading Group” in Shelf Documents: Art Library as Practice, ed. Heide Hinrichs, Jo-ey Tang, Elizabeth Haines, Antwerp: Pascale De Groote, 2000.

[3] Camila Marambio and Cecilia Vicuña, Slow Down Fast, A Toda Raja, Berlin: Errant Bodies Press, 2019.

[4] “A toda raja” is a Chilean expression with multiple colloquial uses. It can mean at full speed, intensely or with great sentiment. See Marambio and Vicuña, Slow Down Fast, A Toda Raja, 5.

[5] Marambio and Vicuña, Slow Down Fast, A Toda Raja, 10.